A series of hand-pieced works using vintage and remnant fabrics, guided by touch, intuition, and material response. As fragments are brought together, new relationships unfold—shifting energy, establishing balance, and revealing how cohesion can arise through difference.

A collection of handwoven panels using handspun and dyed mohair, wool, silk, and cotton. Framed as textile fields, the works invite a tuning into subtle vibration and presence—drawing on the legacy of abstract colour field painting to explore silence, simplicity, and resonance through reduced form.

These handwoven works arise from an intuitive engagement with the natural fibres— of wool and mohair. Each piece unfolds through the rhythm of weaving, allowing material, hand, and space to converse, yet always subtly referring to the expanse of the landscape from which the fibre comes, and through which it is metabolised. Freely suspended, they are meditations on craft, presence, and the subtle relationships that emerge through making.

A series of handwoven tapestries formed from textile waste and natural fibres, examining how time, use, disposal and desire accumulate in material—revealing parallels between cloth, landscape, and geological strata

In Contact is a collection of handwoven panels joined to form larger works, referencing global textile traditions—particularly West African strip weaving—where limitation of width becomes a site of connection, dialogue, and compositional possibility.

A series of tapestries woven by hand using natural plant fibres, including cotton, ilala palm and vintage linen yarn. They are subtle reflections on material, on the integrity and softness of plant matter